Edgar Degas, After The Bath, Woman Drying Her Back, 1896 Gelatin Silver Print, 16.5 x 12 cm Digital image courtesy of the Getty’s Open Content Program

Edgar Degas, After The Bath, Woman Drying Her Back, 1896
Gelatin Silver Print, 16.5 x 12 cm
Digital image courtesy of the Getty’s Open Content Program

the body is always at day zero which I’d forgotten

as I waited for my mother to re-emerge from heart

catheterization I sat in a fabric chair in J 2-3

on the mezzanine level caretakers could see the sick

world below though none see us

when she appeared fabric over the hole

in my mother’s jugular would’ve been white

but a shock of the darkest

iodine seeped down her neck like blood

in the procedure I heard the audience of doctors worked on one

side of a white table where they fiddled with their joysticks

but they set their screens on the far side

a woman was buried in the breach a weightless feeling

is anyone suspended on a table beneath lights

where the uncanny valley is your revulsion

at what you think is not quite human

my mother also looked at the screen

while the wire sheath went like the coldest water

down the heart trap I held my breath

I heard in that room doctors declared

what would happen next to the body

you knew then the patient entered this instruction

like a horn of light under the weave of a paper sheet

as if the body was a metaphor for the problems of the body

what we thought we felt what we felt we saw

as the curved arm moved across the torso

like the longest orbit of celestial light

we don't always go from wellness to wellness sometimes

you slip back into critical condition through that little door

under sedation my mother could feel everything

that was not pain while doctors took at least five bites

in biopsy to discover what the muscle was doing cancer

for its part deploys conscripting cells at the outer edge

of a mass and is not without cunning

in the lobby I watched cancer perform

its work in real-time on video

as cells stretched out their lassos in discrete segments

then pulled like a mechanical mistake

in a lo-fi videogame there is a green-gold tinge

where photo-emulsive shadows grow in such low light

for a long time ignorance saved my nerves

I cultivated my shock at the heart

in its bowl but my mother keeps

walking into a room where she knows she will be cut open

April Freely

< BACK | NEXT >

TABLE OF CONTENTS