Stephanie Ann Farra, Mother in the Time of COVID (Artist Website, Instagram)
Photograph on panchromatic film
Courtesy of the artist
If one more person asks me if I want to have a baby,
            I’ll be no closer to the answer. At the restaurant, 
the kind with paper tablecloths and crayons, a friend says, 
            “Don’t have kids. Think of the environmental impact.” 
Later, he’ll leave early to pick up his daughter. When my water 
            arrives with a straw in it, I see a pile of my imaginary child’s 
unwrapped straws, plastic bottles, yogurt cups, and spoons—
            a lifetime’s worth. You could jump into it 
like a playground ball pit—a pool of plastic the size of a warehouse. 
            I drink my water through the straw and swim in the pit, 
but the spoon handles poke my eyes. I squint and then have goggles on, 
            also made of plastic. I don’t like goggles, but my mother 
makes me wear them. I have a yellow suit and yellow hair
            that will look green by September. If I swim
to my mother without stopping, she will catch me and we can play. 
            She’ll let me float in my turtle-patterned tube, 
she’ll buy me ice cream from the snack bar, but first 
            I have to swim to her. My goggles have come loose 
and the chlorine stings my eyes. No matter how hard I swim, 
            she stays the same distance from me, until she nears the wall.
She was backing away! I reach her, sputtering and betrayed, 
            too tired not to wrap my arms around her neck. I wish 
she’d get her hair wet. When I grow up and have kids, 
            I’ll get my hair all-the-way wet. My daughter and I 
will take a deep breath, blow bubbles to the bottom of the pool, 
            and push up fast to the air. When she swims to me, 
I won’t ever back away. But then, will she learn? And by the time 
            she’s old enough to have a baby of her own, 
how many islands of plastic will crowd the oceans? 
            I have drunk nearly all my water.
The straw sounds like a drain on the side of the deep end.
            I swim to the surface of the trash pit, lie on my back, 
and sink a little, recognizing every piece: my favorite bottled water, 
            the best brand of yogurt, the spoons I’ve used when traveling.
I stare up at the warehouse ceiling, where electric fans spin and spin
            and will keep spinning until they run out of energy, of time.