Nancy Cohen, Coming Through, 2021(Artist Website, Instagram)
Paper pulp and handmade paper, 87 x 79”
Near the seabed
of my sea realm,
a jade bracelet slips
off in the depths.
Desire is not
a handcuff.
In between Seoul
and America,
I was surfacing—air
bubbles,
disappearing.
Before a not
exactly
benevolent
captor claimed my kiss
erased one's
memory—
the warped problem
was only his. His son
jerked
at my curving
in a hotel pool
in his game
called Shark.
The captor insisted
I take his last name.
Red clay
and sea stars—
my psychic
materials
rebelled
against a dense
lure. The captor
disclosed he
would like to end
with heroin
and that my teenage
skin would never
be more attractive.
His smoke clung.
Then, I did not
come closer.
I swam, a swift
pink blush, towards
my unharmed
underwater
sounds—a gap unblurred
in the rains of
edible figs.
Note: This poem includes and alters language that appears in the chapter “Legend Sea: of the Mermaids Blue in South Korean folklore and popular culture” by Sarah Keith and Sung-Ae Lee, appearing in Scaled for Success: The Internationalisation of the Mermaid, principally authored and edited by Philip Hayward.