Because lovers were once tied down to a field
Side-by-side on dawn’s frozen earth
Or to a cornhusk bed, plank-divided

Because the bed, my old friend said, is a sacred place
Where only chosen may visit
After passing through many well-lit doors

Because priests carried the ark from a world
Less holy to one somehow more holy
Behind curtained incense and dyed lamb’s wool

In darkness I reach under cold sheets
And hold you there, long after first doubt
Long after the plowed summer

 

Emily A. Benton

 

 

  

Emily A. Benton "In Lieu Of An Altar"

 

Annalisa Barron, Well-Lit Doors (hand-carved wood, ink, and found objects on board) 

Artist's Commentary:

This poem left me feeling as though I were crossing thresholds between innocence and trespass, inclusion and exclusion. I chose to depict this impression through material and portraiture. Innocence, the young girl and open door, is deified with a halo of fragments from a dollhouse bed. Trespass, stark and in shadow, intrudes into the foreground, uninvited.