Terry Evans, Snow Geese, South of Regina, Saskatchewan, 1996-98
Chromogenic print, 48.3 x 48.3 cm
© Terry Evans, courtesy of the Art Institute of Chicago
Locals talk about mountains
and I believe them but I don’t
see what, or where. They are
gesturing toward the inevitable,
changeable sky—an intensity
of gloom, billowing blue-gray
enough to obscure the mountains.
I look, though, each morning,
through the small window: a tree still
wintering—all statuesque and reaching—
like a woman frozen in the midst.
There is frost this morning and the tree
holds small dark figures I could mistake
for tiny nests but what they are is tiny birds,
puffed, holding their own warmth close.
A cloud shifts as I watch them, sun
dazzles, and the birds burst
like they’ve never known stillness—
the sudden range of snow-topped mountains
strikes me a blow—there—there!
As a girl, I could watch the grayscale
of an Oregon ocean on a rainy day
for hours, until suddenly the dark dome
of a beast, humpback or gray—and me
almost not able to believe it, such a thing
existing but at different depths, with different needs,
and yearnings—I want to tell her,
that girl, that I’ve finally remembered
how to hold myself still, to let what I can
pour into me, to let what must fly away—